The Section initiates intellectual, curatorial, and public programs that position photography as both a language and a tool for cultural critique. Our work embraces interdisciplinarity, research depth, and collaboration within the international visual community.
Key Formats:
- Publication of critical texts, essays, and reviews on photographers and projects.
- Round tables and discussions on photography’s relevance in contemporary culture.
- Lectures and educational programs in photographic theory and history.
- Research initiatives and development of knowledge resources.
- Curatorial seminars and creation of exhibition concepts.
- International collaborations with universities, art centers, and media platforms.